Station Identification

By branding its programming appeal as urban, independent and family-owned WADL-TV has made it a channel to watch on several levels
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Station IdentificationIn the beginning was The Word. No, wait, that鈥檚 not completely accurate. Long before The Word 鈥 The Word Network, that is, the Southfield-based urban ministry and gospel music satellite and cable channel seen worldwide by more than 55 million viewers weekly 鈥 there was WADL-TV, southeast Michigan鈥檚 long moribund Channel 38, home of 鈥 well, nothing much, actually.

Both the UHF station and the global network are owned by Detroit鈥檚 Adell Broadcasting, one of the last of the true video independents. While the station, officially licensed to Mount Clemens, has been on the air since May 1989 and boasts a 5 million-watt signal that鈥檚 the most powerful in the state, even owner Kevin Adell admits, 鈥渁s recently as a year ago, most people in Detroit didn鈥檛 know what WADL was.鈥 That anonymity is rapidly disappearing, however, in part because The Word helped inspire an almost Lazarus-like resurrection in WADL鈥檚 programming profile.

The new direction is such a seeming no-brainer that it鈥檚 surprising the option was still available to Adell and his company president and general manager, longtime Channel 7 (WXYZ-TV) executive Lewis Gibbs. According to Nielsen research, Detroit鈥檚 nearly 400,000 African-American households make it the nation鈥檚 seventh-largest market in that demographic. Studies show that African-Americans watch proportionately more television than any other group. So last fall, WADL reinvented itself as 鈥淒etroit鈥檚 Urban TV Station,鈥 offering a wildly diverse mix of programs ranging from Word Network Christian evangelists during the day to reruns of cable鈥檚 bawdy Chappelle鈥檚 Show on weekends.

There鈥檚 a daily 4 p.m. local dance show, D-Party, that鈥檚 reminiscent of Detroit鈥檚 鈥80s TV soul-shaker, The Scene. The prime-time lineup features such classic black sitcoms as The Jeffersons, Good Times, Fresh Prince of Bel Air and Joe Dumars鈥 favorite show, Sanford and Son. WADL is adding more contemporary series next fall, MTV鈥檚 Cribs and Pimp My Ride among them, and developing original talk shows with such local personalities as Frankie Darcell and Mildred Gaddis and NAACP Detroit branch president Rev. Wendell Anthony. They鈥檝e even got a regular segment called Two Minutes With the Mayor showcasing Mayor Kilpatrick, a spot that could be must-see TV in months to come.

鈥淚sn鈥檛 this exciting?鈥 gushes Adell, a youthful, ebullient 41-year-old who helped lay the foundation for the family-owned station his late father, Frank Adell, created. 鈥淭here鈥檚 only seven stations in the market and six of them are basically public companies. They wouldn鈥檛 do a station that鈥檚 urban because they all have network affiliations and they have to allow so many hours for network programming. There are 1,600 [UHF] stations in the country, and if you go into any market and close your eyes, they鈥檙e basically all the same. There鈥檚 an NBC affiliate, ABC, CBS. We鈥檙e unique because we鈥檙e an urban station in an urban market. This wouldn鈥檛 fit well in Nebraska. It wouldn鈥檛 fit in Chicago, because it鈥檚 too diverse, or L.A., but it fits well in Detroit.

鈥淵ou鈥檝e got to find a niche, find something that the other stations aren鈥檛 going to want to compete with, and then you鈥檝e got to be the best in your niche,鈥 Adell says. 鈥淲e got the chance to re-brand ourselves, which is very unusual in television these days.鈥

Market analysts are taking a wait-and-see approach as to how much of Detroit鈥檚 $374 million annual advertising pool WADL can capture, but few can argue with the logic of its concept. 鈥淔or this market, a station taking a targeted approach like this, it鈥檚 brilliant,鈥 says Specs Howard School of Broadcast Arts vice president of Industry Relations Dick Kernen. 鈥淚 can see them becoming very successful.鈥

Yet it nearly didn鈥檛 happen. Adell was prepared to relocate permanently to his vacation home in Florida with his wife, former Detroit TV reporter Joelle Lukasiewicz, and their 2-year-old daughter, when Joelle encouraged him not to abandon his birthright. 鈥淚t鈥檚 hard to walk away from a business that has your family name attached to it,鈥 he says. 鈥淭his is a lot of history, a lot of heritage. And you know, I love it here.鈥